Posts Tagged ‘Hellogoodbye’

This is a record I’ve spent years trying to track down. It might not seem like a record that people are clamoring over, and it doesn’t sell for ridiculous prices. At this point in my record collecting it’s more about price than anything. I have a strict budget I stick to. Not an overall monthly budget or anything like that, but a certain price I want I don’t want to go over based on the record. Typically $15 for a single LP, $18 for a double LP, and under $10 for a 7”, all with shipping included. Sure there are a few exceptions here and there, but for the most part I’ve done very well sticking to that budget the last couple years.

Hellogoodbye wasn’t even a band I was heavily into or liked all that much. It’s one of those cases where when a pre-order is announced or a new album is released you sometimes go and listen to that band, or in the case of Hellogoodbye go back and listen them again, which leads to re-discovering them. Like most people, I was familiar with Hellogoodbye from their Drive-Thru Records days, which led me to their latest album, the self released Would It Kill You?, which I think is an underrated and fantastic album. That led me to want to collect them, which was somewhat easy considering they’ve only released three records to that point, which shortly increased to four total with the releases of their debut self-titled EP on vinyl. I eventually got around to buying all of their vinyl releases except for one; this picture disc 7” for Here (In Your Arms).

Since this is a UK release, it was rather hard to find in the U.S., and it eventually swelled into just finding a copy at all. Copies rarely popped up on ebay, and if they did, it was a UK seller with a Buy It Now (BIN) that lasted a month, and then when it didn’t sell they would just re-list it for the same price until it sold. But since I lived in the U.S., I would be hampered by not only the exchange rate, but international shipping, the latter of which sometimes cost more than the record itself. It took a long time, but I finally found someone, well stumbled upon someone in the U.S. selling a copy of this 7”. And to sweeten the deal they were selling it for only $5. I bought a few other things from this seller, which helped on shipping costs, so I wound up buying this 7” for $8 when all was said and done.

Pressing info was never released for this 7”, but all copies were done as a picture disc. The artwork is pretty much the same on both sides of the record; a photo of the Southern California band frolicking on the beach. All copies come in a less traditional picture disc sleeve, as it has crimping running from top to bottom on the left and right hand sides. And considering most picture discs just come by themselves in picture disc sleeves, this particular picture disc has a backing board, which serves as an insert. It’s on very thin paper, and one side is blank, but it’s better than nothing. The only info printed on is it the track listing, which is the single on the a-side and a live version of “Baby, It’s Fact” on the b-side.


Hellogoodbye – Hellogoodbye s/t EP

Posted: February 24, 2017 in Vinyl

This record is a good example of patience is a virtue. Hellogoodbye’s debut self-titled EP was finally pressed on vinyl in 2015, with the pre-order going live late 2014. Over two years after the pre-order started, the record is far from sold out, and because I held out for a discount code, clearance or some other sale before buying this, I saved over $4 on it. Not much, but it’s definitely better than spending $18 for a five song EP plus an additional $6 for media mail shipping.

Of course the pre-order ran into delays. Initially slated for release in April 2014, the release was pushed back to May, then pushed back again to July. When July came and went with no records, everything went quite until it was announced at the end of July that tests were finally being sent for approval. Though tests weren’t actually approved until mid August 2014, way after the intended release date of May 2014. At that point there was still no updated release date. It wasn’t until mid September 2014 that a new release date was scheduled, this time of late October 2014. That final release date of October 2014 was actually met. Because of all the delays people started laying into the guy posting on the message board promoting the release.

Hellogoodybe’s s/t EP was pressed as a 10″ by Drive-Thru Records. Yes, you read right, Drive-Thru is still active. They opted for a 10″ for an unknown reason, likely because they could charge more for it when they went to sell it because it’s more expensive to produce 10″ records than 7″ or even 12″ records. I don’t think this EP would fit on a 7″, and it definitely would sound better and be cheaper (at least manufacturing costs) than a 10″. That isn’t to say this record sounds bad. It’s actually tough to tell because let’s face it, this EP doesn’t really lend itself to an audiophile experience solely based on the music itself. There is nothing noticeably awful with the sound quality of this record. Is it the best sounding record I own or ever listened to? No. But it’s also not the worst.

The artwork for the vinyl release was altered slightly from what was used for the original release of the EP from 2004. Instead of the avocado with the pit, there is an avocado with the pit removed and separate on the cover. The position of the EP title/band name is also different between the original CD release and subsequent vinyl release. When this release was first being hyped in December 2014, the person with connection to Drive-Thru promoting the release on message boards posted a mock up he did for the records, which had the original artwork. At some point the label opted to do alternate artwork for the vinyl release. When asked why the artwork was the changed on said message board, the person providing info about the release stated it was because they wanted to keep in line with past Drive-Thru vinyl releases, which had alternate artwork.

The record comes in a printed glossy paper dust sleeve, which has the lyrics printed on one side and an image of the band on the reverse side. No download card/code is included, which can be viewed as a lame move. But considering Hellogoodbye was part of the upswing/distribution deal with Universal Music Group that Drive-Thru had, they might not own 100% of the rights to this EP. At least not for re-releases like this vinyl release. Technically, Hellogoodbye came around after Drive-Thru got out pof the original deal with UMG and signed a new distro deal with Sanctuary Records. But Sanctuary quickly hit financial ruin and was absorbed by… wait for it… Universal Music Group.

Drive-Thru went with two variants for this EP, yellow and green, and thankfully they charged the same price for both. There are a handful of labels out there that charge more for the rarest variant or more for color vinyl vs. “standard” black vinyl. Neither of the variants for this EP are rarer than another, they’re both limited to the same amount of copies. Initially advertised as being limited to 250 copies each, there was an overrun that Drive-Thru was actually forthcoming with. Drive-Thru doing something reputable and upstanding? Shocking, I know. Due to the overrun, which is normal for vinyl pressings, there are 274 copies of each color.

But even with that honesty upfront, Drive-Thru still decided to do their traditional friends pressing without telling anyone until after the record was released. This time they disguised it as a “promo” variant. This “promo” variant is on black vinyl and is limited to 15 copies, and it was never made available to the general public by any means. But it wouldn’t surprise me if these “promo” copies are actually test pressings that Drive-Thru decided to formally stick into jackets and give out to the band, whatever employees they have left, people who worked on the release, etc. Because they opted to only get 5 tests made, which they disclosed when they released the full pressing info on a message board. In this day and age, when pressing plants dish out test pressings like candy and labels essentially flip them off for massive profit, it’s hard to believe a plant would do a run of 15 records without them being test pressings.

This never used to be the case. Pressing plants used to typically do a run of 10 tests max and they were purely for audio sampling for the label to either approve or reject the final run. I’m sure it was possible to order say like 25 test pressings like many labels like to do these day, but it was unheard of. These days many labels, especially those who exist solely to license out albums to re-release on vinyl, order as many tests as the plant will allow, with the aim to flip them either directly to customers in their online stores, list them on ebay or even do back alley deals on the secondary market. Given Drive-Thru’s reputation, it wouldn’t surprise me if they went this route, but so far none of these 5 test nor the 15 “promo” copies have surfaced for sale anywhere.


Everything Is Debatable is the third full length album from Hellogoodbye and second to get pressed on vinyl. Everything Is Debatable is a huge departure from Hellogoodbye’s last album Would It Kill You?. It’s a step in the wrong direction, as it falls more into the cheesy pop category with voice effect overlays. There were 1,000 copies pressed on “bone” vinyl, which is off white in color. I use parentheses because I have never seen bone used to describe a color before. One interesting thing about this record is that there are three separate inserts for it, something I’ve never seen done before for a single LP album. On one side of each insert are four unique photos, with the other side featuring the lyrics for four songs on the album.

This is part of a vinyl series that digital subscription service Daytrotter has been releasing over the last year or two. These are available free to subscribers (at least the latest Volume for new subscribers) and/or at a discounted rate (24% off which equates to $9). They are also available outside of buying a subscription but are insanely expensive ($35) before shipping. Shipping tacks on an additional $9.50 (the cheapest method) so you’re spending damn close to $50 on a single LP record, a split record that features only eight songs total, four from each artist. I was fortunate to score a copy of this Daytrotter split on ebay for 99 cents.

To date they have released 16 Volumes, this is number 6 in the series and is from November 22, 2012 (11/22/12 is the release date. Hellogoodybe’s Daytrotter Session that appears on the split was recorded/released 12/23/09). The 12” split also features Lissie. Each artist contributes 4 songs, with Hellogoodbye playing “When We First Met,” “The Thought That Gives Me The Creeps,” “Findind Something To Do” and “Oh, It’s Love” on the a-side. This split also has the distinction of featurinb the first female artist (Lissie) in the Daytrotter Vinyl Series.

An interesting note is that Daytrotter ships these in LP mailers with Daytrotter and United Pressing stickers on them. The guy I won this from on ebay was nice enough/dumb enough to mail it out to me in the original mailer. I say dumb enough because said mailer was in terrible condition, it was beat to shit.

Considering the price of this if you buy it from Daytrotter and the overall poor quality of this split I would not recommend buying this for the casual listener/collector. Unless you need a Volume to complete an already near complete collection or are a diehard fan of one of the artists you shouldn’t waste your money on this. The sound is not all that great and the jackets are very cheap. The jackets are very thin and flimsy, one of the worst in those regards in my collection. And even though they are pressed on 180 gram vinyl the sound is not great because of it. It’s not the worst sounding record I own or heard, but it’s nowhere near the top.Hellogoodbye - Daytrotter Presents No. 6 split w Lissie - Copy

Hellogoodbye – When We First Met 7″

Posted: September 7, 2012 in Vinyl

Hellogoodbye released this single off their sophomore album, Would It Kill You?. It was pressed on two colors, white and clear yellow, both limited to 500 copies each. A download card is included with the 7″,  and it features the exclusive b-side “Not Ever Coming Home.”

Hellogoodbye’s second album and first to be pressed on vinyl, Would It Kill You was self released by the band on their own label, Wasted Summer Records. This album is much more mature than their previous efforts but is not too big of a departure from their keyboard/synth laden pop rock. I know some people wrote Hellogoodbye off as a cheesy pop rock act when they were still signed to Drive-Thru Records, but the band deserves another listen with an open mind with this latest effort.

There were 1000 copies pressed on white vinyl and the record comes in a  full colorphoto dust sleeve. At first the only place to buy the record was directly through the band from their webstore, but the band has now sold out of after having copies available for well over a year. It’s probably close to going out of print entirely, as the distributor that carries the record only had 10 copies last I checked. The band sold copies of the record in their webstore, but overcharged on shipping, as they wanted $10 to ship one LP. The total came out to $25, possibly even $20 (I don’t remember if the LP cost $15 or $20 from the band), which kept me from ordering the record even though the album is a great listen. Your best bet to find a copy now is on ebay or asking your local record store to order a copy, should there be any left.  However, there are a few record stores that utilize ebay to sell some of their inventory set at a retail priced BIN. So you should be able to score this record for no more than $20 shipped.