Foo Fighters are back with their latest album Concrete And Gold, the band’s ninth studio album. Concrete And Gold is much better than Sonic Highways. Can we just forget that album ever happened and have this be the deserved followed up to Wasted Light?
There are elements of math rock, and lots of syncopation on Concrete And Gold. Some songs are very technical with lots of dynamics; a lost art in today’s era of overproduced, auto tuned garbage. It’s like they went back to the basics of music composition to shore up the foundation that was weakening beneath them. But with that said, there are hints of the producer, Greg Kurstin, taking a song to another level. Not so much overproduction, but what a producer used to be before the days of garage band and pro tools turning anyone with a computer and a guitar bought at a big box store into a “musician.”
In order to grasp the scope of this record, you need to watch the mini documentary Dave Grohl released about the recording process of Concrete And Gold. When I say mini, it’s roughly six minutes in length, and it’s animated. One of the reasons I loved Wasted Light was because of how that album was recorded. While Concrete And Gold strays away from those roots, it’s a far more coherent album than Sonic Highways. The one running theme carrying between all three of these albums though is guest musicians/vocalists. Concrete And Gold has its fair share of guests, ranging from Justin Timberlake to Shawn Stockman of Boyz II Men to Sir Paul McCartney (on drums no less. what can’t he play?). Drummer Taylor Hawkins even gets lead vocal duties on one song; “Sunday Rain.” Which led to Grohl joking in a tv interview that it’s always been his dream to get Taylor to sing more, so he could quite the band and go to one of their shows to watch them.
Another thing that carried over from Sonic Highways is variants for the vinyl version of the album. If you remember, Sonic Highways had several different covers, one for each city a song was recorded in, along with a composite cover featuring the complete artwork. Concrete And Gold thankfully does not have as many variants; only two. But both are based on the cover art/packaging. There is the main, widely available variant, which has the main album artwork, the one we’re all familiar with. Then there is the quasi Spotify exclusive cover/packaging that was exclusively sold by merch company Merchbar, dubbed the “Black-on-Black Edition.” The link wasn’t intended to be made publicly available, but as soon as someone found it or was given access to it, of course it was posted all over the internet. This was intended to be a “reward” for people who listened to a lot of Foo Fighters songs on Spotify, as initially only links were given to them, but you didn’t have to put in a code or anything like that to buy it. So in reality anyone could buy this if they followed the link.
The “Black-on-Black Edition” has the same basic artwork, with the Concrete And Gold logo on it, but it’s all black. The Concrete And Gold logo is embossed on the “Black-on-Black Edition,” which is exclusive to this variant. If you ordered the black-on-black- edition variant online, a free sticker o the Concrete And Gold log was included (see photo of it below). This variant was advertised as being limited edition, but without pressing info listed. It took a few weeks for it to sell out, despite what many flippers would like you to believe. Initially the “Black-on-Black Edition” was only available online. Retail price on it was $20 before shipping, which is about the same price the standard variant is being sold for.
As expected, this “Black-on-Black Edition” was flipped extensively. It seems like at least 60% of copies bought were bought just to flip, with one person buying at least eight copies to flip. Ebay was littered with copies in the days after it shipped, with flippers not even bothering to take the record out of the box in order to photograph it. They listed it with photos of the record sitting inside the opened box it originally shipped in. Initially prices were out of control for it, selling for over $100 at auction, with majority of flippers listing them as a BIN with prices over $100. But in the month or so since the album was released, prices have fallen drastically, with copies routinely selling for closer to $50.
Both variants come in a gatefold jacket, with the artwork inside the gatefold being the same for both. Both variants also come pressed on standard weight black vinyl, with the same etching on the d-side. The phrasing on the web store selling the “Black-on-Black Edition” claims “audiophile grade 140 gram vinyl,” but don’t believe that hype. It’s just a buzz word used to drive up sales. All copies come with a download card, which gains you access to high quality 320 kbps MP3s. Only the regular jacket variant comes with a hype sticker.
Getting back to the etching, it’s rather bland as at first it appears to just be text for a random website. But when you go to the website it leads you to a song book with sheet music for every song on the album, which can be downloaded for free as a PDF file. You have the option to download the sheet music for each song individually, or download the entire book. It’s an interesting addition, especially when you consider song books are one of the new trendy things bands are printing up and selling to their fans for 20 bucks a pop.
Retail price on the standard variant is around $20. Of course some retailers may sell it for a little more, or even a little less. I bought a copy for around $15 shipped. Considering this is a double LP, I don’t see many places discounting this record any less than that price. I mentioned above that the “Black-on-Black Edition” retailed for $20 (before shipping) online via MerchBar, but once the band’s headlining tour in support of Concrete And Gold kicked off, they were selling copies of it at the shows, but for $25. Considering shipping cost around $5 from Merchbar, it’s essentially the same price.
Because of my stance on refraining from pre-ordering records, I missed the boat on the “Black-on-Black Edition.” I planned on buying it, but held off after seeing it sell so slowly. Like I said above, it was available for weeks. In a cruel twist of fate, when I finally convinced myself to go and pre-order it because it was getting close to release date, it was sold out. It was still available the day before. Even with this strike out, it’s one of only a few records/variants I missed out on through my somewhat diligent no pre-ordering policy these days. But the game went into extra innings and I got another chance to buy the “Black-on-Black Edition” for retail price via the official Foo Fighters store, as more copies of it would put up for sale online there.