Archive for October, 2020


Brian Fallon released his third solo album, Local Honey, in 2020, and there was quite a bit of confusion surrounding the vinyl release. It all stems from the label (Lesser Known Records – which is owned by Fallon) choosing to do different variants that are all the basically the same color. Things got messier when it came time to figure out where these variants were being sold, and further details like if they are exclusive to certain outlets. As the marketing and distribution firm (Thirty Tigers) supporting this album provided convoluted and downright wrong information.

Let’s get this out of the way now before delving deeper into the finer details of the vinyl release. Local Honey is not a great album. I know that is not the popular opinion, but that is my opinion. That’s not saying Local Honey is a bad album. That’s not the case by any stretch of the imagination.  Local Honey has a more mellow vibe than Painkillers and even Sleepwalkers, to the point where it’s almost boring. But you could see this transition happening on Sleepwalkers. It’s simply not my cup of tea, especially by comparison. You can also put it this way; Painkillers is more of a Gaslight Anthem album whereas Local Honey isn’t. Some people are also comparing this to a Horrible Crowes, which is apt. What further hurts Local Honey is that it’s a ridiculously short album; clocking in at around 32 minutes, with only eight songs.

As expected the demand for Fallon’s second solo album was high. To the point where despite the first pressing not selling out, a second pressing was done. The first pressing is where the confusion lies, and that pressing is what will be focused on in this entry. But if people would use common sense, or simply their eyes should they have normal vision, you could easily tell the difference between the two variants.

First up is the indie record store exclusive, which is on “honey.” The other variant is on translucent orange, and is not exclusive to anywhere. People initially assumed it was exclusive to Brian Fallon’s web store, and some went as far as to think it might be a pre-order exclusive. But once Amazon put up copies that second notion was squashed.  People were also apparently led to believe that there was a black variant, but that is completely false. There was also a mention of someone receiving a copy from Amazon that had “clear orange” printed on the hype sticker, and I have questions about that person’s literacy skills. Now, after I explained all that, more confusion was sprinkled in about a “caramel” variant exclusive to the UK and/or possibly Europe as well. This turned out to also not be true, as the “caramel” variant is the same as the indie exclusive “honey” variant.

As just hinted, each variant has its own hype sticker, which denotes the variant. The indie exclusive “honey” has “honey” printed on it, while the mass retail variant has “translucent orange” printed on it. Once copies started making their way out into the world, Banquet Records tweeted out a picture of both of the variants side by side so people could tell the difference. The second pressing is planned to be released in October 2020 as part of the Ten Bands One Cause project benefiting Gilda’s Club, and as such will be pressed on pink vinyl. But the 2020 edition of the project will only feature 4 records instead of 10 because COVID-19 now apparently puts restrictions on how many different titles you can press on vinyl. Despite things like the Hey Arnold soundtrack getting re-presses.

All copies come housed in a gatefold jacket, with the record coming in a printed dust sleeve. There is spot gloss on the jacket and dust sleeve, which is everything that is printed in the gold ink. A download card/code is also included, but its for awful 160 kbps MP3s. Pressing info for any variant from either of the pressings has not been officially released. Yes, I’m aware that numbers are being floated around out there, but I do not trust them (the numbers), and as such I won’t re-post them here. Retail price on this is at least $22, which is steep for a single LP.

Typically I try to hold off on buying new releases until there is a sale that drops them beneath the price caps that I try to stay below. This method has worked out very well for me for years now. But with Local Honey, the desire to have a copy from the first pressing outweighed my desire to save a couple bucks. So the pressure was on a bit to find a copy from my usual go to places to ensure I actually got a copy from the first pressing instead of being sent a copy from the second because that is what the distro had and decided to send me without noting it was a different pressing.

That may sound odd, but the distro I lean on for good deals does a lot of shady things, like literally not refunding people their entire purchase price hoping the customer doesn’t notice. And it’s like pulling teeth dealing with their customer service, and this was pre-pandemic. But their deals are too good to pass up, they basically have a monopoly on the entertainment media distribution business, and I’m sure they’re well aware of this and is part of the reason why they’re shady, and getting shadier by the month.

Chris Farren – Born Hot

Posted: October 13, 2020 in Vinyl
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Chris Farren’s latest solo album, Born Hot, was released by Polyvinyl Records. The label does an interesting thing with their vinyl releases, offering up an “early bird” exclusive variant that is only available during pre-orders. What is not interesting is that they charge more for this variant than the other ones they sell. And quite honestly I’m not sure what they do if those variants don’t sell out by the time the albums are released. But that wasn’t an issue for Born Hot. If you enjoy Farren’s previous solo efforts, then you will enjoy this album.

Pressing info with Polyvinyl is spotty at best. There are four variants for Born Hot, with all but one having pressing info released thus far. Granted, two of them are UK exclusives, but Polyvinyl does not release the pressing info for all variants on their end. So there are 500 copies on red/yellow mix, which turned out being red with yellow swirl. The other variant being sold by Polyvinyl, which isn’t exactly exclusive to anywhere, is limited to an unknown amount on half yellow/half red (hype sticker says red/yellow vinyl). Both of these variants are pressed on 180 gram vinyl.

The UK exclusives were pressed on black, limited to 300 copies, and clear/black with orange splatter limited to 200 copies, which is a Big Scary Monsters (BSM) exclusive. The BSM exclusive is a clear record with a black blob around the center label, plus orange splatter everywhere. I’m not sure if these two variants are pressed on 180 gram vinyl.

All copies come with a download card/code for high quality 320 kbps MP3s and/or WAV files. You can download both file types if you wish. Fair warning; I’m not sure if it was a glitch, but I was able to. The record itself is housed in a printed dust sleeve, which has the lyrics printed on both sides, one side dedicated to each side of the record.

Retail price on this is on the pricier side (for my liking. I know lots of people have no qualms paying over $20) for a single LP in a single pocket jacket. But that is the case with all Polyvinyl releases. The “early bird” variant cost $21, with the half yellow/half red being $19 direct from Polyvinyl during pre-orders. The label has since jacked up the price of the half yellow/half red to $20. The UK exclusive cost $23 USD before shipping, or 17 GBP.


With the popularity of vinyl ever increasing, many times it pays to wait to buy new releases. I can’t tell you how many times I’ve saved at least $5 on new releases by simply waiting however long it took for them drop in price for whatever reason. Another reason to wait is because special variants or editions can pop up over time. Perfect example of all those reasons is Frank Iero’s new solo/side album under the Frank Iero And The Future Violents moniker, entitled Barriers.

Released in May 2019, over a year later the label released a new, special cover variant that came with two of the variants originally released, apparently done to celebrate the release of the band’s music video for “Medicine Square Garden.” I was waiting for a price drop, because this record is overpriced; retailing at $27 before shipping. What didn’t help the price is that this was released by an Australian label; UNFD (Unified Music Group). First time I’ve ever seen a U.S. based artist or band release an album on an Aussie label. The price was dropped to $20 before shipping around the same time this cover variant was released, but this cover variant still cost the original retail price of $27 before shipping.

Barriers has seven total variants now, with five of them coming without an additional cover. It took a while for pressing info to be released. Not sure when it was, but it wasn’t available when the album was first released and put up for pre-order. The variants were all given fancy names based on song titles and the album title, rather than just describing them based on the color(s)/patterning. For the pressing info coming up below, I will give the name of the variant with the color of it in parentheses.

First up is “Barriers” (pink/yellow/blue tri-color) limited to 500 copies, “A New Day’s Coming” (yellow/orange/red tri-color) limited to 650 copies, “Police Police” (half blue/half red) limited to 700 copies, “24K Lush” (“ultra” clear w/ gold splatter) limited to 1400 copies and “Fever Dream” (red and black marble) limited to 1700 copies. Now here is the pressing info gets a bit skewed. When the special cover variant was released in spring 2020, pressing info for them was not officially released. Only numbers found were “120 of 1400 available,” which was attached to the item page for both special cover variants, despite the “Police Police” colorway being limted to literally half that amount. That 120 figure was never adjusted, even after I bought a copy of the variant containing the “Police Police” colorway To make matters worse, at first only one variant was released with this special cover variant.

A bit latter a second variant was added that included the special cover variant. This special cover variant comes in the form of a screen printed o-card that slides over top of the original record jacket. It features slight alternate artwork; as it’s simply the original album art done in different colors. The “24K Lush” variant was the first one put up for sale with this special cover, and later the “Police Police” variant was the other one put up for sale with the special cover. The special cover variants were only available direct from the label’s web stores (they have three depending on which continent/region you live in). As of posting this the special cover variant with the “24K Lush” record is the only one sold out. Which is odd because there it’s the least rare of the tow colors used for the special cover variant.

I mentioned above that when this record was first released I thought it was overpriced. And when I finally got my hands on a copy my stance is reaffirmed. I think over $25 for any record is too much. But this double LP does not come in a gatefold jacket and it does not include a download card/code. Not even one sent to you via e-mail if you order from the label’s web store (which I did). At least an insert is included, which has the lyrics printed on both sides of it; one side of the insert dedicated to one LP in the set. All copies come shrink wrapped (special cover variants covers do not come sealed, they’re placed over top of the shrink wrapped record) and with a sticker that denotes the color of the record. These stickers are color coded; the color and/or name of the variants are not printed anywhere on the stickers. These color coordinated stickes are the only stickers found on the cover, there are no hype stickers.


Frank Iero has been in many bands over the years. Leathermouth is one of those bands. It was a short lived project, as the band released only one album before breaking up. It took about 10 years for the album to be pressed on vinyl. I’ll admit Leathermouth’s sound was not my cup of tea initially. But as I’ve grown older I’ve come to appreciate more and more hardcore. I’ll also admit I wouldn’t give Leathermouth as much of a chance as other hardcore acts had Frank Iero not been involved.

XO, their lone album, was pressed on two variants for the first pressing; pink w/ blue and red splatter and black. Pressing info for the splatter is a bit muddy, as at first it was apparently announced that only 500 copies were pressed, but at some point later it was apparently changed to be 1,000 copies. Either way the splatter variant is somewhat tough to track down. I say somewhat because I ordered a copy from my go to distro (whom I’m losing more and more confidence with), and was fully expecting to receive a copy on black vinyl. It was to my amazement that when I opened the mailer I saw a hype sticker on the cover of XO that said “limited edition colored vinyl.”

Also in regards to the ‘somewhat,’ some places selling XO on vinyl have the colored variant listed for sale for more money than the black variant. To me that is a huge turnoff. It’s the most obvious of cash grabs. The distro I bought this from is one of those places, but they also had the colored variant listed as back-ordered. So the temptation was not even there. Which leads to the amazement on my part to get a copy on splatter.

All copies of the record come in a single pocket jacket, with the record itself housed in a full color printed dust sleeve. A download card/code is not included. But if you buy this from Frank Iero’s official web store (hosted by Kings Road Merch), you will be e-mailed a download.

Prices for this record on the secondary market are all over the place. It comes and goes in stock at many outlets, so it’s not the easiest record to find via retail means. The splatter variant is more desirable, and since you can’t guarantee you get a copy of it, it fetches more. It’s sold for as high as $40, which is more than double retail price. There is even one asshat trying to sell a copy for over $100 as of writing this. Copies on black vinyl can be easily found on Discogs for retail price, as it appears more and more outlets are turning to the site for their online sales during the COVID-19 pandemic.

In summer of 2023 a re-press was announced. Just like the first pressing, this new second pressing is done on two variants.


Death Spells is yet another side project of Frank Iero’s. In my opinion it’s his worst material outside of My Chemical Romance. It’s electronic, and self proclaimed “digital hardcore.” Along with Iero, the band also features James Dewees. To date the group has only released one album; Nothing Above, Nothing Below. While it was released in 2016, the duo was working on this project for several years, since 2012 in fact. Due to both musician’s heavy workloads and busy schedules, it took that long to put the finishing touches on an album.

The record was pressed on two variants; white smoke and burgundy smoke, each limited to 1,250 copies. Vagrant Records released the album, and it has yet to sell out. But the only place to buy it is Frank Iero’s official web store hosted by Kings Road Merch (KRM), with a retail price of $20. Yes, you read that right; the label that released this album is not selling any physical copies of it.

All copies come with an insert but no physical download card/code. After you place an order for a copy you will be e-mailed a download for high quality 320 kbps MP3s. All copies also come sealed, and without any stickers identifying the color. While that is not the end of the world considering both variants are limited to the same amount, I can see how it can easily become an issue due to order fulfillment mistake, people having their heart set on a certain color or collectors wanting both variants.

To date this record has yet to be discounted. Aside from site wide sales Frank runs every so often. Which is what I took advantage of for 15% off, and somehow I was able to get free shipping on my order (had several other things only available from KRM stores) so I saved even more. To be frank (no pun intended), I only bought this to keep my Frank Iero collection somewhat complete. I honestly would never buy this otherwise because the music is horrible. And if I had to pay full price for it I would always pass on it despite my collection.

Since this hasn’t sold out in over four years, it’s probably a safe bet that anyone still looking to buy this can wait till another sale.