Fall Out Boy’s latest album, So Much (For) Stardust is a return in the right direction for the band. Seeing as it may be Joe Trohman’s final album with the band, it’s could turn to be a fitting send off for one of the lesser recognized members. Yes, this album still has a few overtly pop tinges, but it’s not overbearing like it has been on their most recent albums Mania and American Beauty / American Psycho. On the other hand, it’s not even close to anything Infinity On High and prior. Best I can sum up So Much (For) Stardust is it can easily slot into Fall Out Boy’s discography inbetween Folie A Deux and Save Rock And Roll.
Because this is 2023, of course there is an abundance of variants for So Much (For) Stardust. And of course, many of them sold out because well, this is still Fall out Boy after all. And it wouldn’t be me if I didn’t take exception to the descriptions/names of some of the variants. To top things off, there is even a ridiculous variant that is better classified as a piece of memorabilia than an actual musical object. And if all that wasn’t enough, there is an indie record store in Scotland that literally makes up their own variants (something they have been doing for many releases lately).
Before I delve into more aspects of certain variants, something that may ruffle feathers, let’s discuss what is matter of fact. In total there are 13/14 total variants. That number may actually set a record for a single pressing (one is technically a second pressing), but no matter how you look at it it’s absurd. Pressing info has been floated around for most of the variants, but many of those numbers are not confirmed. I won’t mention what is discussed on message boards, reddit or Discogs unless it’s confirmed by an official source. Case and point; right now anyone can go into Discogs and add a new or amend an existing entry and make up whatever info they want. I can say there are 219 copies on poop brown with pee splatter and until someone else edits the information to remove it, it will remain on Discogs presented as fact. Not rumor; FACT.
So here is what is 100% confirmed via official sources. There are four band exclusives; 1,000 copies on “dark matter” marble (contains an additional subset variant/misprint), 2,000 copies on “green glow glow glow light”, 4,000 copies on “black ice heartbreak” and 8,000 copies on “cobalt crocodile tears. There is a Spotify “fans first” exclusive limited 4,000 copies on “milky” clear and an Urban Outfitters exclusive limited to 5,000 copies on “ultra” clear. The second pressing has 50 copies on tear filled record (read on for complete details). All the other variants DO NOT have pressing info released via official channels. Why people feel the need to provide information based on what they speculate is beyond me. Yes, in the past I’ve been known to say things like “there are probably thousands of these pressed.” But that statement is obviously not specific. I have never and will never say there is a specific number pressed unless I have it confirmed with a legitimate source (a band member, the label or rarely, the retailer claiming an exclusive).
If you’re doing the math at home, that leaves six unaccounted for variants. And this is where things go off the rails. Because within some of these variants are the aforementioned made up variants by a specific Scottish indie record store. So to reiterate there is an unknown amount on “navy blue annihilation,” gold, coke bottle clear, and black vinyl. The “navy blue annihilation” was/is supposedly a Fueled By Ramen web store exclusive, who somehow still get perks despite the band no longer being signed to the label; but somehow the aforementioned by this point Scottish indie record store secured hundreds of copies to make up their own variant. Gold is a Target exclusive. Coke bottle clear is an U.S. and UK/Euro indie record store exclusive. Black is not confirmed to be a mass retail exclusive, but every retailer selling this record that does not have a definitive exclusive variant will be stocking copies on black vinyl.
Now let’s discuss the Scottish indie record store I’ve repeatedly mentioned by this point. The shop is Assai Records, who has multiple locations around Scotland. What they do is take an already established vinyl variant and print up an exclusive obi-strip to go with it. All the ob-strips are hand numbered out of a random number. Some releases have more copies than others for whatever reason. In some cases hundreds more. This Fall Out Boy is not the first time they’ve created their own variants; they have done it many times. A cursory glance at their web store shows they have nine pages of these obi-strip exclusive variants, and the first page of which has 24 different releases.
For So Much (For) Stardust Assai Records pulled out all the stops however, doing not just one, but two exclusive obi-strip variants. They did 500 copies with the “navy blue annihilation” and 300 copies of the coke bottle green. One thing of note about these Assai Records exclusive variants is the fact that none of them come factory sealed for whatever reason. I get obi-strips are traditionally placed over the top of a jacket or CD packaging (jewel case or digipak) and then shrink wrapped. But this store is literally tearing the shrink wrap off hundreds of records just to add the obi-strip. The biggest issue when it comes to So Much (For) Stardust in particular is that every variant comes with a hype sticker that denotes the variant. To many people, myself included, this is a must have when buying new vinyl; especially at retail price.
Bottom line is, in my opinion, obi-strips are some of the most gimmicky things you can add on to a record. Yes, Assai Records are not the only place/label doing it. It’s a pointless trend in my opinion that bastardizes the true intent behind obi-strips. They’re simply meant as translation for non English speakers when a release is sold overseas. Nothing more, nothing less. It’s not a courtesy; it’s a necessity. It’s also not supposed to be a cash grab.
These Assai Records also present a slippery slope because what is stopping every indie record store around the world from doing the same thing? Or something more over the top? Or something different? Where does it end? All because simply having an already somewhat exclusive variant is not enough? So far, to my knowledge there have not been any legal challenges to what they are doing, despite these items being commercially available.The store claims all of them are artist approved, but not label approved; which is the legal terms is most often the superseding decider. Similar things have been done by private individuals and nothing was done to them from a legal aspect. I’m talking about the Finch What It Is To Burn custom made replacement jackets that were offered up to people who were willing to buy one. But those Finch jackets were not commercially available.
I touched on it briefly above, but all the variants come with a hype sticker that denote the color of the record. All the stickers are a black circle; the only difference is what the text says and the color the title of the variant is. The text is not necessarily color coded however. For those wondering what some of the variants actually look like because the names for many of them make zero sense and even then the description of them is sometimes flat out wrong; here is a description of them:
“Green glow glow glow light,” which has a hype sticker that says “glow in the dark green,” is simply your typical glow in the dark variant, which was exclusive the band’s web store. The “black ice heartbreak,” which has a hype sticker that says “black ice,” is translucent brown. The “cobalt crocodile tears,” which has a hype sticker that says “cobalt” is translucent blue. The “milky” clear and “ultra” clear arre different hues of clear. “Navy blue annihilation” comes with a hype sticker that says “Bluejay” and it’s simply opaque blue. The milky is darker than the “ultra” clear. But in my opinion there are no degrees of clear; it’s either clear or it’s not. A more apt name for the “milky” clear would be frosted glass, and “ultra” clear should just be called clear.
This may be overly complicated, which is why I saved it for last. There is a catch with “dark matter” marble depending on where you bought it from/where it’s being sold. It mainly affects the UK/Euro copies for whatever reason, which signifies this variant is actually yet another subset/unique variant, and one that was not advertised as being a different pressing. First off, no matter where you bought it from or where you live, the hype sticker for this variant is wrong. The hype sticker says “black and gold swirl.”
People in Europe and the UK who bought the “dark matter” marble received a copy on black/dark grey base with white and gold/yellow/brown splatter. It’s obviously not a marble or a swirl. Meanwhile, those living in the U.S. received a copy that more closely resemble that intended finished product, which came out to be black w/ white swirl/marble. There is no gold anywhere to be found in the U.S. copies.
All copies of the first pressing come housed in a gatefold jacket and come with an insert. A download card/code is not included with physical copies. The jacket features the original album art. Retail price on So Much (For) Stardust is around $30. Sad that that is the going rate for new records in 2023. But with that said, I was able to buy a copy from Target for $11 on clearance.
This record is still not done though, as there is a second pressing. It’s tiny in scale however. The second pressing is the most absurd gimmick cash grab I have seen to date. If you thought liquid filled records jumped the shark; hold my beer.
For whatever reason, someone started a company that creates tear filled records called Crynyl. But all credit does not go to them, as it’s oin connunction with a fancy pants art studio called Brain. So Much (For) Stardust is the first release done by the company, and hopefully the last. I don’t wish ill will on anyone, but when garbage like this is clogging up pressing plants; I wish the idea never even happened let alone came into existence.
Because of the absurdity of this idea, I did a lot of research, albeit simple in scope, into what a Crynyl record actually is and what is included with the release. Here are the pertinent facts. It contains actual tears from all four band members (despite only Pete Wentz being used for promo content) that are sealed inside the record. The tears are collected using sterile collection kits and are then diluted into a “sonically optimized solution.” The record requires special care; even more so than a traditional record. It needs to not only be stored vertically, but right side up (top facing up), which is indicated by a small mark on the side of the record. This is to prevent leaking. Every copy was hand sealed (not surprising) using a proprietary technology that is trademarked as “Crynylseal.” Because of its unique nature it requires additional weight than what your turntable is normally set up for in order to play properly. Oh, and the best part, the company acknowledges and formally warns people that sound quality is poor. So this variant/pressing is pretty much a cash grab collector’s item that holds hardly any audio value.
The Crynyl variant comes in unique packaging, which is described as a gatefold box with a built in tissue dispenser. The artwork is unique and has absolutely nothing to do with the album itself; it’s not inspired by the original album art or packaging in any. In fact, it’s rather bland in my opinion as its just blue with fancy designs to mimic flowing liquid. The record itself is clear with one small area of liquid inside that you can obviously see. All copies are hand numbered on the back of the packaging out of 50.
Best, or worst part depending on how you look at stuff like this, is that it cost $100 before shipping and taxes (should they apply). And of course it sold out in minutes. And people on social media were heartbroken they weren’t able to get a copy.